Fatos Sobre final fantasy 7 remake Revelado
Fatos Sobre final fantasy 7 remake Revelado
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Plus it teased Cid Highwind, the last remaining main party member we haven't yet met. But it also took some new liberties, like heavily featuring Zack Fair, who was not present at this point in the original story.
Another prominent artist was Nomura. Having impressed Sakaguchi with his proposed ideas, which were handwritten and illustrated rather than simply typed on a PC, Nomura was brought on as main character designer.[24] Nomura stated that when he was brought on, the main scenario had not been completed, but he "went along like, 'I guess first off you need a hero and a heroine', and from there drew the designs while thinking up details about the characters. After [he'd] done the hero and heroine, [he] carried on drawing by thinking what kind of characters would be interesting to have. When [he] handed over the designs [he'd] tell people the character details [he'd] thought up, or write them down on a separate sheet of paper".[53] Something that could not be carried over from earlier titles was the chibi sprite art, as that would not fit with the new graphical direction. Naora, in his role as an assistant character designer and art director, helped adjust each character's appearance so the actions they performed were believable.
Sakaguchi was responsible for writing the initial plot, which was quite different from the final version.[54] In this draft for the planned SNES version, the game's setting was envisioned as New York City in 1999. Similar to the final story, the main characters were part of an organization trying to destroy Mako reactors, but they were pursued by a hot-blooded detective named Joe. The main characters would eventually blow up the city. An early version of the Lifestream concept was present at this stage.
These desires developed into the Lifestream, and the game's iconic death scene whose subject subsequently remains a part of the cast's lives.[23]
The many locales follow a similar arc, the metropolis of Midgar being built over towns whose names have been forgotten, the Upper Junon destroying the fishing industry of the Old Junon, Wutai's descent into a tourist trap and the mining industry's decline having left behind the people of Kalm and Corel. This could be seen as a larger theme in the game itself, Final Fantasy VII breaking new ground in the series.
The track has been called Uematsu's "most recognizable contribution" to the music of the Final Fantasy series, which Uematsu agrees with.[37][71] Inspired by The Rite of Spring by Igor Stravinsky to make a more "classical" track, and by rock and roll music from the late 1960s and early 1970s to make an orchestral track with a "destructive impact", he spent two weeks composing short unconnected musical phrases, and then arranged them together into "One-Winged Angel", an approach he had never used before.[37]
With Aerith free from captivity, they must now escape the Shinra Building. Cloud wakes up to find himself and the others taking refuge in the room where Aerith and her mother were once held. They discuss the past, present, and a destiny they are trying to change.
The main creative force behind the overall 3D presentation was Kazuyuki Hashimoto, the general supervisor for these sequences. Being experienced in the new technology the team had brought on board, he accepted the post at Square as the team aligned with his own creative spirit. One of the major events in development was when the real-time graphics were synchronized to computer-generated full motion video (FMV) cutscenes for some story sequences, notably an early sequence where a real-time model of Cloud jumps onto an FMV-rendered moving train.[37] The backgrounds were created by overlaying two 2D graphic layers and changing the motion speed of each to simulate depth perception.
The green and blue of the game's logo set the theme for the color tone for the rest of the game, reflected in the Mako energy and Lifestream that play crucial roles.[21] Story[]
Cloud had never made it into SOLDIER and had become a lowly Shinra infantryman instead. Embarrassed by his failure, he had not told anyone from his hometown. When he had been assigned a mission in Nibelheim to accompany the SOLDIER members Zack and Sephiroth, Cloud had concealed his identity by always wearing his helmet, and this is why Tifa had not realized Cloud was there at the time. After Sephiroth had learned Shinra had created him from Jenova, he had gone insane and torched the town.
With only a week until Meteor falls, Cloud asks everyone to come up with their own reason and resolve to keep on fighting, beyond the mere reason of fighting for the planet; should they find one, they may return for the last battle.
The main characters were adjusted in various ways for Remake. Rather than the "cool and collected" Cloud as seen in other games, Remake depicts his apathetic attitude as a façade to mask his insecurities. Nojima wanted to convey that his standoffishness could be seen as lame.[54] Cloud's initial redesign for Remake final fantasy 7 rebirth departed more dramatically from the original's, but was later altered to more closely resemble Nomura's design.[43] Tifa's desire for revenge against Shinra is complicated by her reluctance to enact violence. Barret's passion and charisma rallies other characters to follow his lead.[54] Nojima worked hard to make the interactions between these three natural.[55] It was important to Hamaguchi to include a scene wherein Cloud has an intimate conversation with one of his teammates based on the player's choices in homage to the "date" scene from the original game.
Although Tifa knew it to be longer than that, she had never confronted him, instead asking him to join AVALANCHE so she would have more time to decide what to do and to keep an eye on him and his strange behavior.
Sephiroth appears on the ship and kills almost every crew member. Cloud and his party locate him as he materializes out of the floor, but Sephiroth doesn't recognize Cloud. Cloud attempts to get answers on Sephiroth's goal, but ends up battling Jenova∙BIRTH, a monster made out of parts of Jenova.